Eighty-Four
This tale of the ultimate “Negative Utopia” paints a grim future filled with Double-speak, Telescreens, Thought Police, and the ever watchful eyes of Big Brother. Written in 1948 this adaptation connects Orwell’s warning of the future to the ever changing face of modern technology and current society.
Production History
October 24 – November 29, 1997 : The LIDA Project Theatre :: Denver, CO
January 9 – 31, 1998 : Studio 44 :: Denver, CO
Awards
Best Experimental Theatre Production (1997) – Westword
Top 10 productions of 1997 – The Rocky Mountain News
Best New Play (Brian Freeland) – Denver Drama Critics Circle Award Nomination
Best Direction of a Play (Brian Freeland) – Denver Drama Critics Circle Award Nomination
The Company
Direction: Brian Freeland
Assistant Direction: Nils Ivan Swanson
Stage Management: Tara M.E. Thompson
Lighting / Projection Design: Brian Freeland
Scenic Design: Brian Freeland
Sound Design / Original Music: Jeremiah Lyman Moore
Properties: Brian Houtz
Ensemble
Winston: Guy Williams
Mother / Prostitute: Debra Shirley
Young Winston: Colin Smith
O’Brien: Gregory Ward
Julia: Catherine E. Worster
Syme: Brian E. Lewis
Charrington: John Shupp
Thought Police / Party Worker: Sean C. Vernon
Thought Police / Bartender: Nils Ivan Swanson
Telescreen Voice: Tara M.E. Thompson
Big Brother: Dan Hiester
Activities Director: Kathryn Gray
Emanuel Goldstein: Terry Burnsed
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