Lorenzo Sariñana in The Hairy Ape (2013). Photo: Kenrick Fischer
¡el Simio! (or a contemporary retelling of Eugene O’Neill’s The Hairy Ape)
by Eugene O’Neill with translations by Lorenzo Sariñana
A story of a simple laborer trapped in a world controlled by the rich. This classic expressionist work is re-imagined as a one-man / hyper-media performance. This new bi-lingual translation and interpretation brings to the front the issues of immigration, class structure, and industrialism. First produced in 1922, the LIDA Project modernizes O’Neill’s text to address the modern themes of alienation in a stratified world.
Production History May 1-3, 2015: HERE Arts Center :: New York City, NY
May 10 – June 7, 2013: work | space :: Denver, CO
Awards Best Actor in a Drama (Lorenzo Sariñana), True West Award Nomination
Best Multimedia Integration (Brian Freeland), True West Award Nomination
The Company (2015 Production)
Direction: Brian Freeland
Producers: Steven J. Deidel & Annette Westerby Stage Manager / Show Control: G. Austin Allen
Scenic Design: Sky Burks
Lighting Design: Anshuman Bhatia & Steven J. Deidel
Sound Design: Alex Hawthorn & Drew Levy Projection Design: Steven J. Deidel & Brian Freeland
Costume Design: Annette Westerby
Ensemble (2015 Production)
Yank: Lorenzo Sariñana
O’Neill: Sonia Justl
The Company (2013 Production)
Direction: Brian Freeland Assistant Direction: Laura Lounge
Scenic Design: David Lafont
Lighting Design: Kenrick Fischer
Sound Design: Dustin Lacy
Projection Design: Brian Freeland
Property & Costume Design: Laura Lounge
Ensemble (2013 Production)
Yank: Lorenzo Sariñana
O’Neill: Hart DeRose
Prison / Street / Prison
an original collaboration between RedLine, The LIDA Project, & The SOURCE Theatre Co.*
As part of Redline Denver’s exhibit, Not Exactly: Between home and where I find myself, The LIDA Project & SOURCE Theatre artistic directors Brian Freeland & Hugo Sayles created a first hand testimonial work giving voice to the connection between homelessness and incarceration.
Production History
June 13 – 29, 2013 : RedLine :: Denver, CO
The Company
Direction: Brian Freeland / Hugo Jon Sayles Lighting Design: Kenrick Fischer Scenic Design: David Lafont Projection Design: Brian Freeland Sound Design: William Burns / Max Peterson Not Exactly Curators: Chad Kautzer / Robin Gallite
Ensemble Jeff Campbell
Corin Chavez
Tim Johnson
Parnell McGee
Lorenzo Sariñana
Kenny Storms
Images
Prison / Street / Prison (2013)
Prison / Street / Prison (2013)
Prison / Street / Prison (2013)
Prison / Street / Prison (2013)
* Development collaborators: Jeff Campbell, Corin Chavez, Brian Freeland, Tim Johnson, Parnell McGee, Lorenzo Sariñana, Hugo Jon Sayles, & Kenny Storms
Part text. Part noise. Part sound. Part image. All Robot.
R.U.R./lol, an original work loosely based on the 1920 Czech science-fiction play Rossum’s Universal Robots. At the end of humanity four robots remain. Through their controllers they work to protect what remains of the planet from a catastrophic event. The process leads them to question how we came to this end.
Production History February 15 – March 2, 2013: work | space :: Denver, CO
Awards
Best Lighting Design (Steven J. Deidel), True West Award
Best Multimedia Integration (Steven J. Deidel, Kenrick Fischer, Kevin Zegan, Max Peterson and Brian Freeland), True West Award
Best New Play, True West Awards Nomination
Best Scenic Design (Steven J. Deidel / David Lafont), True West Awards Nomination
Best Sound Design (Dustin Lacy), True West Awards Nomination
The Company
Direction: Lorenzo Sariñana
Production Design: Steven J. Deidel
Lighting Design: Steven J. Deidel / Kenrick Fischer
Scenic Design: Steven J. Deidel / David Lafont
Sound Design: Dustin Lacy / Lorenzo Sariñana
Costume Design: Lorenzo Sariñana
Projection Design: Steven J. Deidel /Brian Freeland / David Lafont / Max Peterson
Ensemble
Robots: Rhea Amos / Hart DeRose / Laura Lounge / Heidi Pachner
Controllers: Kenrick Fisher / Brian Freeland / Dustin Lacy / David Lafont / Tommy Sheridan / Lorenzo Sariñana
Add It Up
An original interpretation by The LIDA Project inspired by the work of Elmer Rice.
Add It Up is a performance remix as interpreted by six sound, video, and performance artists from The LIDA Project. It is sound. It is light. It is music. It is words. It is images. It is machines. It is humans. It is about love. And hate. And murder. And death. And rebirth. And dancing. And eggs.
Production History
September 14 – October 6, 2012 : work | space :: Denver, CO
Awards Best Use of Multimedia (Brian Freeland / The LIDA Project), True West Award
The Company Producers: Steven J. Deidel / Brian Freeland / The LIDA Project Direction: Brian Freeland Assistant Direction: Rhea Amos Lighting Design: Steven J. Deidel / The LIDA Project Sound Design: Lorenzo Sariñana / The LIDA Project Costumes: Hart DeRose / The LIDA Project Projection Design: Brian Freeland / The LIDA Project
Ensemble Hart DeRose: 0 Michelle Hurtubise: Elmer Rice Heidi Pachner: The Boss
Lorenzo Sariñana: Her Matthew Schultz: Mrs. 0
Trina Magness and Dan O’Neill in Auto da Fé (2012)
Auto da Fé
An original adaptation of the book by Elias Canetti by Rebecca Gorman O’Neill.
A twisted creation developed by The LIDA Project ensemble, playwright Rebecca Gorman, and director Brian Freeland. Manipulations of darkness and light and juxtapositions of ghastly imagery help to re-imagine Canetti’s breakthrough 1935 work about a lone recluse and his infinite library of books.
Production History
May 11 – June 2, 2012: work | space :: Denver, CO
Awards
Best New Work (Rebecca Gorman O’Neill), True West Awards Nomination
Best Actor in a Drama (Dan O’Neill), True West Awards Nomination
The Company
Producers: Brian Freeland, Steven J. Deidel & The LIDA Project
Direction: Brian Freeland
Words / Dramaturgy: Rebecca Gorman O’Neill
Production Stage Manager: G. Austin Allen
Lighting Design: Steven J. Deidel / Anna R. Kaltenbach
Scenic Design: David Lafont
Projection Design: Steven J. Deidel / Ryan Gaddis
Costume Design: Hart DeRose
Sound Design: Brian Freeland
Associate Sound Design / Operator: Anson Nicholson
Associate Lighting Design: Tommy Sheridan
Ensemble
Dan O’Neill: Kien
Trina Magness: Therese
Robin Davies: Doorman / Fischerle
Lorenzo Sariñana: George / Brute / Beggar / Others
Images
Lorenzo Sariñana & Trina Magness in Auto da Fé (2012)
Dan O’Neill in Auto da Fé (2012)
Lorenzo Sariñana in Auto da Fé (2012)
Robin Davies in Auto da Fé (2012)
Trina Magness & Dan O’Neill in Auto da Fé (2012)
Lorenzo Sariñana, Robin Davies, Dan O’Neill, & Trina Magness in Auto da Fé (2012)
Now I Lay Me Down To Sleep
a devised work of The LIDA Project*
The LIDA Project’s 6-part award winning epic on health, care, mortality and dying in the United States originally premiered in December of 2011 in a unique collaboration between the LIDA Project and a group of guest directors and community leaders. The work was environmentally designed and performed in private residences.
Production History December 02 – December 17, 2011 : site specific residences :: Denver, CO January 27 – February 11, 2012 :site specific residences :: Denver, CO
Awards Special Achievement – Denver Post Ovation Award
The Company
Direction: Robin Davies / Brian Freeland / Josh Hartwell / Jaime Lujan / Brenda Cook Ritenour / Kate Roselle / Tommy Sheridan / Kenny Storms Artistic Director: Brian Freeland Dramaturgy: Rebecca Gorman O’Neill Movement: Tonya Malik-Carson Scenic Design: Amelia Charter Production Assistant: Laura Lounge
Ensemble
Rhea Amos, Meg Chamberlain, Hart DeRose, Nancy Flanagan, Michelle Hurtubise, Madeleine Joyce, Sonia Justl, Deanna Lowman, Heidi Pachner, Lorenzo Sariñana, Stefin Woolever, & Ryan Wuestewald
Video
The Works
The Soldier The Soldier maneuvers through a recent Iraq War veterans struggles to care for herself and her relationships while her PTSD and grief from the war spin into a sadistic health insurance game show. Directed by Tommy Sheridan with performances by Rhea Amos, Hart DeRose, Nancy Flanagan, Michelle Hurtubise, Madeleine Joyce, Heidi Pachner, Stefin Woolever, and Ryan Wuestewald.
The Addict The Addict is a cyclical spiral of losing control and asking for help. It grapples with both tangible and systemic addictions and whether or not we have the agency to choose our own paths. Directed by Kate Roselle and Kenny Storms with performances by Nancy Flanagan, Madeleine Joyce, Deanna Lowman, Heidi Pachner, Lorenzo Sariñana, and Stefin Woolever.
The Survivor
An exploration of how we grapple with death–both losing those we love and dealing with the knowledge of our own. Directed by Jaime Lujan with performances by Rhea Amos, Hart DeRose, Michelle Hurtubise, Madeleine Joyce, Lorenzo Sariñana, and Ryan Wuestewald.
The Middleman
An examination of the difficult choices that individuals have to make on health + care in a world of 7 billion people. Directed by Robin Davies with performances by Rhea Amos, Hart DeRose, Michelle Hurtubise, Heidi Pachner, and Ryan Wuestewald.
The Immigrant
An exploration of alternative medicine, cultural assimilation, and the red tape beaurocrtic hoops we have to jump through. Directed by Brenda Cook Ritenour with performances by Hart DeRose, Michelle Hurtubise, Deanna Lowman, and Lorenzo Sariñana.
The Patient The Patient is a poetic and lyrical exploration of the ins outs ups downs of a person’s final moments and how hospice and its workers provide support to that person and their relatives. “What’s more important than our final moment,” one patient asks. Death responds, “Them.” Directed by Josh Hartwell with performances by Nancy Flanagan, Madeleine Joyce, Deanna Lowman, Heidi Pachner, and Stefin Woolever.
* Development collaborators: Rhea Amos, Meg Chamberlain, Amelia Charter, Robin Davies, Hart DeRose, Nancy Flanagan, Brian Freeland, Josh Hartwell, Michelle Hurtubise, Madeleine Joyce, Sonia Justl, Laura Lounge, Deanna Lowman, Jaime Lujan, Tonya Malik-Carson, Rebecca Gorman O’Neill, Heidi Pachner, Brenda Cook Ritenour, Lorenzo Sariñana, Kate Roselle, Tommy Sheridan, Kenny Storms, Stefin Woolever, & Ryan Wuestewald
Kenny Storms in HOT + WAX: On Being Too Big To Fail (a piece in 8 bits) (2010)
HOT + WAX: On Being Too Big To Fail (a piece in 8 bits)
conceived and directed by Julie Rada as devised with The LIDA Project*
A live performance blend of the Icarus story from Greek mythology, the 2009 economic crisis and 1980’s 8-bit video games. Princess Toadstool figures prominently, as does the boy whose wings melted in the sun. Joe Knossos, the head of the troubled financial products division, dodges the Minotaur as meat falls from the sky. The piece is highly-interactive with opportunities for witnesses to play old-school video games and manipulate the direction of the story.
HOT+WAX = flying too close to the sun.
HOT+WAX = getting all the coins.
HOT+WAX = finance porno.
HOT+WAX = 8 bits vs. naughty bits.
Production History
September 24 – October 23, 2010: BINDERY | space :: Denver, CO
The Company Direction: Julie Rada Scenic Design: Erin Ramsey
Lighting Design: Jacob M. Welch Sound / Video Design: Ryan McRyhew Music Composition: Ryan McRyhew / Neil Ewing Costume Design: Annette Westerby Properties Design: Annette Westerby
Choreography: Kelleen Shadow
Ensemble Ploughman: Terry Burnsed Mr. Joseph C. Knossos: Todd Webster Daedalus: Leroy Leonard Uncle Sam: Mike Marlow Cellist: Eizabeth A. Nodich
Pasiphae / Your Mom: Elizabeth Parks Icarus: Lorenzo Sariñana
Princess: Kelleen Shadow Bull / Minotaur: Kenny Storms
Video
Images
Kelleen Shadow (Princess). Photo Jeremy Make (2010).
Kenny Storms. Photo Jeremy Make (2010).
Kelleen Shadow. Photo Jeremy Make (2010).
Terry Burnsed. Photo Jeremy Make (2010).
Photo Jeremy Make (2010).
Photo Jeremy Make (2010).
* Development collaborators: Leroy Leonard, Elizabeth Parks, Julie Rada, Lorenzo Sariñana, Matthew Schultz, Kelleen Shadow, Kenny Storms, & Annette Westerby
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