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Pussy + 6

Pussy + 6 (2006)

Pussy + 6 (2006)

Pussy + 6
Week 4 of Suzan-Lori Parks’ work 365 Days / 365 Plays

Week four in Suzan Lori-Parks’ 365 Plays/365 Days  series. Each play received full production and was performed on the evening corresponding to its date. With no fixed seating, these short plays were treated not just as performances but also as mediations and installations. Though in some cases, dialogue lasted no more than one or two minutes, audiences stayed in the space for as long as 60 minutes, engaging with the scenographic environment in and around the downtown warehouse space in which pussy +6 was performed.

The eye of God opens and the eye of God closes, and that entire play world happens on that day. The next day, an entirely new play world is born. – Bonnie Metzgar

Production History
December 4 – December 10, 2006: BINDERY | space :: Denver, CO

Media Coverage
365 Days… 365 Plays – The Denver Post

Company
Direction: Julie Rada
Scenic Design: Julie Rada
Lighting Design: Jacob M. Welch
Sound Design: Paul Cure
Costume Design: Julie Rada
Properties Design: Julie Rada
Puppet/Mask Design: Sophie Nimmannit
Projection Design: Brian Freeland

Ensemble
Isaiah Arney
Jena Davis
Ashley Howard
Matthew Schultz
Karen Slack

The Works
Pussy (12/4)
House of Jones (12/5)
Blackbird (12/6)
The Carpet Cleaner on Pearl Harbor Day (12/7)
The View from Here (12/8)
The Presentation of the Grundig Majestic (12/9)
The History Lesson (12/10)

Images

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MANSON | family valUes

MANSON | family valUeS. Photo: Eric Weber (2003)

MANSON | family valUeS (2003). Photo: Eric Weber.

MANSON | family valUes
by Robin Davies & Brian Freeland as devised with The LIDA Project*

MANSON | family valUeS is based on the lives of Charles Manson and his followers during the events leading up to and following the ritual murders of actress Sharon Tate and six others during the summer of 1969. Created in the unique style of The LIDA Project, MANSON | family valUeS offers a bizarre and wickedly eerie look into ‘the Family’ that changed our definition of evil forever and spawned America’s first pop-culture media villain. Built from actual events and transcripts.

“MANSON | family valUeS” embodies the spirit of all that live theater should. It is bold, difficult and occasionally jaw-dropping.”
– John Moore,
The Denver Post

Production History
February 14 – March 22, 2003: BINDERY | space :: Denver, CO
April 18 – May 8, 2006: Camden People’s Theatre :: London, UK
May 30 – 31, 2006: The Bug Theatre:: Denver, CO
June 2,3, 9, & 10, 2006: The Vortex:: Austin, TX
June 7 – 8, 2006: Seven Stages:: Atlanta. GA

Awards
Best Theater Ensemble Work – Best of Westword, 2003

The Company
Direction: Robin Davies / Brian Freeland
Technical Director: James McElwee
Scenic Design: Jason Humphrey
Lighting Design: Anna R. Kaltenbach
Sound Design: Tyler Potts
Costume Design: Gina Penka
Video Design: Scott Kinnamon

Ensemble (2003)
Tamara Bradley, Jeannene Bragg, Jon Brown, Lindsay Gegenberg, Sarah Gibson, Jennifer Harris, Josh Hartwell, Elgin Kelley, Bartlett Meeks, Joseph A. Norton, Brandy Qualls, Jadelynn Stahl, Camilla Susser, & Guy Williams

Ensemble (2006)
Stacey Rae Allen, Nissa Almquist,Renee Morrison, Sophie Nimmannit, Julie Rada, Jadelynn Stahl, & Guy Williams

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* Development collaborators: Tamara Bradley, Jeannene Bragg, Jon Brown, Sarah Gibson,‎ Anita Harkess, Jennifer Harris, Josh Hartwell, Anna R. Kaltenbach, Elgin Kelley, Joseph A. Norton, Brandy Qualls, Jadelynn Stahl, & Guy Williams