Alice 2.0

Kelley Wade in Alice (2001). Photo: Eric Weber

Kelley Wade (2001). Photo: Eric Weber

Alice 2.0
a devised work of The LIDA Project *
Concept, writing & script assemblage by Tami Canaday and Brian Freeland

Production History
August 9 – 13, 2002: Milagro Theatre :: New York City, NY
August 29, 2002: Denver Center for the Performing Arts :: Denver, CO

The Company
Direction: Brian Freeland
Concept, writing & script assemblage: Tami Canaday / Brian Freeland
Contributing Writer: Jeannene Bragg
Sound Design: Aaron Reardon
Costume Design: Tamara Bradley / Gina Penka

Ensemble
Jeannene Bragg
Robin Davies
Dane Torbenson
Brandy Qualls
Kelley Wade

*Alice 2.0 is a reimagined work based on The LIDA Project’s 2001 production of Alice. Original Alice development collaborators: Anne Angel, Todd Black, Jeannene Bragg, Tami Canaday, Robin Davies, Brian Freeland, Marie Gibbons, Nils Kiehn, Jim O’Leary, Tom Puckett, Brandy Qualls, Aaron Reardon, David Riley, Kelley Wade, Carrie Wyatt, & kryssi wyckoff martin

 

Brother Mine

Brother Mine
by Eric C. Dente

Brother Mine is the compelling story of a young African-American man struggling to find his own cultural identity in a world of conflicting ideals.  Malcolm, adopted and raised by a loving Caucasian family, deals with pressure from his natural father to reject his upbringing and embrace his own heritage.  In the midst of this struggle he faces the possibility that his pregnant girlfriend may choose to terminate his progeny, while his drug addicted brother threatens to destroy the only family he has ever known.  As Malcolm strives to hold his world together, he finds himself walking the thin line between separatism and racism. Brother Mine explores the strength of family in our uncertain and often divisive society, and ultimately celebrates parenthood and humanity.

Production History
February 2, 2002- March 2, 2002 : BINDERY | space :: Denver, CO

Company
Direction: Chris Tabb
Stage Management: Melissa Palovich
Production Management:  Brian Freeland
Associate Production Management: Melanie Mayner
Lighting Design: Jacob M. Welch
Sound Design: Chris Tabb
Scenic Design: Brian Freeland
Scenic Painter: Paul Sanchez
Publicity: Melanie Mayner

Ensemble
David Pinckney: Malcolm
David C. Riley: Anthony
Chris Hampton: Young Malcolm
Laurence A. Curry: Darrell
Vanessa Lunnon: Searrie
Frederick D. Katona: Ben
Jennifer Robbins: Kyrssi
Justin Thompson: Eddie
Kurt Soderstrom: Kenneth
Margaret Amateis Casart: Sarah
Kw Brock Johnson: Raymond

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Our Town

Our Town (2001). Photo: Eric Weber

Sara Casperson & Brian E. Lewis in Our Town (2001). Photo: Eric Weber

Our Town
by Thornton Wilder

Production History
September 14 – October 20, 2001: BINDERY | space :: Denver, CO

The Company
Direction: Brian Freeland
Assistant Direction: kryssi wyckoff martin
Stage Management: Brandy Qualls
Movement / Choreography: Robin Davies
Scenic Design: Brian Freeland
Lighting Design: Brian Billings
Sound Design: Jeremiah Lyman Moore
Costume Design: Carrie Wyatt
Publicity: Melanie Mayner

Ensemble
David C. Riley: Stage Manager
Dane Torbenson: Dr. Gibbs
Nancy Flanagan: Mrs. Gibbs
Brian E. Lewis: George Gibbs
Alexandra Trow: Rebecca Gibbs
Brian Thompson: Mr. Webb
Karen Kargel: Mrs. Webb
Chandler Gibbons: Wally Webb
Sara Casperson: Emily Webb
Dan Mundell:Professor Willard
Kelley Wade: Mrs. Soames
Robin Davies: Constable Warren
Chris Hampton: Si Crowell/Joe Crowell, Jr.
James Christian Villarreal: Howie Newsome
Dell Domnik: Simon Stimson
Thomas O’Connor: Joe Stoddard
Cristofer Lix: Sam Craig
Josh Hicks: Baseball Player
Tamara Bradley: Chorus
Tami Canaday: Chorus
Haley Gibbons: Chorus
Carrie Wyatt: Chorus

Images

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Alice

Kelley Wade in Alice (2001). Photo: Eric Weber

Kelley Wade in Alice (2001). Photo: Eric Weber

Alice
a devised work of The LIDA Project*
writing / script assemblage Tami Canaday & Brian Freeland

Production History
April 27 – June 2, 2001: BINDERY | space :: Denver, CO

Ensemble
Anne Angyal, Todd Black, Jeannene Bragg, Robin Davies, Tom Puckett, Brandy Qualls, David C. Riley, Nils Ivan Swanson, Kelley Wade, & Carrie Wyatt.

* Development collaborators: Anne Angyal, Todd Black, Jeannene Bragg, Tami Canaday, Robin Davies, Brian Freeland, Marie Gibbons, Jim O’Leary, Tom Puckett, Brandy Qualls, Aaron Reardon, David C. Riley, Nils Ivan Swanson, Kelley Wade, Carrie Wyatt, & kryssi wyckoff martin.

The History of the Devil (Scenes from a Pretended Life)

The History of the Devil (1999). Photo by Eric Webber

The History of the Devil (1999). Nils Ivan Swanson (L) as The Devil and Luciann Lajoie (R) as Sonneillon. Photo by Eric Webber.


The History of the Devil (Scenes from a Pretended Life)

by Clive Barker

Production History
October 22 – December 18, 1999 : The MK-Ultra Theatre:: Denver, CO

The Company
Direction: Robert Burns Brown
Assistant Direction: Jana Curtis
Producer: The LIDA Project / Brian Freeland
Lighting Design: Anna R. Kaltenbach
Sound Design: Diana Linger

Costume Design: Jim Miller
Properties Design: Brian Freeland

Ensemble
Jane: Amy Glassman
Procell: Anita Harkiss
Sonneillon: Luciann Lajoie
Kate: Janette L. MacDonald
The Devil: Nils Ivan Swanson
Popper: Tara M.E. Thompson
Sam: Dane Torbinson
Verrier: Kelly Wade
Milo: Rodney Wess
Belial: Jamil Wold

The Merchant of Auschwitz

The Merchant of Auschwitz (1999). Photo Eric Webber

The Merchant of Auschwitz (1999). Nils Ivan Swanson (L) as Shylock and Jim Miller (R) as Bassanio. Photo Eric Webber.

The Merchant of Auschwitz
adaptation by Brian Freeland based on William Shakespeare’s The Merchant of Venice

A young jewish student, captured in a time of madness, is caught with a copy of The Merchant of Venice. What follows is a debate acted out through the text of one of the most controversial plays of our time.

“In the winter of 1943 I was a member of a company which performed before the SS guards at the extermination camp of Auschwitz. We actors received prodigal hospitality and were waited on by prisoners—long columns of whom we saw with our very eyes. We were greatly astonished at their wearing only striped prison smocks in the middle of winter.”
– Dieter Borsche, German film star

The Third Reich mobilized mass audiences on a scale amounting to a cultural revolution—not so much to expose them to propagandist theatre, as to turn their very presence in the theatre into propaganda.
– Richard Grunberger, Third Reich historian

Production History
April 16 – May 29, 1999 : The LIDA Project Experimental Theatre :: Denver, CO

Awards
Best Experimental Theatre Production, Westword
Best New Play (Brian Freeland), Denver Drama Critics Circle Award Nomination
Best Sound Design (Jeremiah Lyman Moore), Denver Drama Critics Circle Award

Media Coverage
Flesh Wounds
, Westword

The Company
Direction: Brian Freeland
Producer: Catherine E. Worster
Dramaturgy: Mary Martin / John Schuttler
Translations: Anne Angyal 

Sound Design: Jeremiah Lyman Moore
Scenic Design: Jason Humphrey
Scenic Painting: Anne Angyal
Lighting Design: Brian Freeland
Costume Design: Lisa Mumpton / Catherine E. Worster
Properties Design: Catherine E. Worster
Dialect Coach: Heather Hollingsworth
Fight Choreography: Dane Torbenson

Ensemble
Portia: Tara M.E. Thompson
Bassanio: Jim Miller
Shylock: Nils Ivan Swanson
Antonio: Josh Hartwell
Jessica: Lisa Mumpton
Lorenzo: Paul Cure
Launcelot: Steven Brown
Nerissa: Patty Mintz Figel
Salarino: Sara Casperson
Salanio: Julia Truitt
Translator: Anne Angyal
Hitler Youth: Chris Hale

Dress Her Like a Cowboy

Dress Her Like A Cowboy (1998).

Dress Her Like A Cowboy (1998)

Dress Her Like a Cowboy
a devised work of Tara M.E. Thompson & The LIDA Project *

Production History
February 6 – 28, 1998 : The LIDA Project Theatre :: Denver, CO

The Company
Direction: Tara M.E. Thompson
Sound Design: Jeremiah Lyman Moore
Scenic Design: Brian Freeland
Lighting Design: Tara M.E. Thompson
Costume Design: Catherine E. Worster
Properties Design: Catherine E. Worster & Brian E. Lewis
Video Design: Jeremiah Lyman Moore
Graphic Design: Rick Griffith

Ensemble
Marta Barnard: Savannah Raddison
Nils Ivan Swanson: Alexis Raddison
Donna Hickey Jackson: Katie Lee
Robert Miiller: Ricardo Swanson
Monica Schuster: Randi Candace
Kristi Meek: Jane Doe
Tamara Bradley: Ashley Burke

* Development collaborators:  Marta Barnard, Tamara Bradley, Brian Freeland, Donna Hickey Jackson, Kristi Meek, Robert Miiller, Jeremiah Lyman Moore, Monica Schuster, Nils Ivan Swanson, & Tara M.E. Thompson.