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Fucking A

Fucking A (2004)

Fucking A (2004)

Fucking A
by Suzan-Lori Parks

A darkly comic Brechtian riff on The Scarlet Letter in a modern world where Hester is an abortionist and freedom is for sale, Fucking A is equal parts social commentary, vulgarity and honesty. This modern fairy tale explores the nature of love and the depths of revenge

“Ms. Parks’ vision and voice is one of the most powerful and progressively active in the American theatre today.”
– Brian Freeland

Production History
January 16 – February 21, 2004 : BINDERY | space :: Denver, CO

Awards
Best Productions of 2004 –  The Rocky Mountain News
Best Introduction of a Major Contemporary Playwright – Westword

The Company
Direction: Brian Freeland
Technical Director: Wolf Butler
Scenic Design: Brian Freeland
Lighting Design: Jacob M. Welch
Musical Director: Anne Angyal
Costume Design: Brian Freeland
Video Design: Brian Freeland

Ensemble
Lisa Mumpton: Hester Smith
GerRee Hinshaw: Canary Mary
Mathew Korda: The Mayor
Petra Ulrych: The First Lady / Hester Smith Understudy
Robin Freeman: Freedom Fund / Waiting Woman 1
Josh Robinson: Monster
Dane Torbenson: Butcher
Anne Angyal: Scribe
Daniel Langhoff: First Hunter / Jailbait
Tom Salyers: Second Hunter / Guard
Brian E. Lewis: Third Hunter
Susan Perry: Waiting Woman 2
Irish Augustine: Understudy (The First Lady)
Jacob T. Morehead: Understudy (The Mayor)

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The Balcony

The Balcony (2003)

The Balcony (2003)

The Balcony
by Jean Genet, adaptation by Jean-Claude van Itallie

The LIDA Project presented Jean Genet’s The Balcony as translated by Jean-Claude van Itallie as evening of prepared theatrix rooted in fetish, orgy, illusionist magic and circus. LIDA’s production placed spectators in the center of an interactive 360- degree house of illusion.

“It’s a true image, born of a false spectacle.”
― Jean Genet,
The Balcony

Production History
September 5 – October 31, 2003: BINDERY | space :: Denver, CO

Awards
Best Experimental Theatre Production (2003) – Out Front

The Company
Direction: Brian Freeland
Assistant Direction: Jeannene Bragg
Dramaturgy: Jennifer French
Stage Management: Hart DeRose
Lighting Design: James McElwee
Scenic Design: Brian Freeland
Costume Design: Gina Penka
Sound Design: Brian Freeland

Ensemble
Kay Casperson: Irma
Robin Davies: Police Chief
Brian E. Lewis: The Bishop
Dane Torbenson: The General
Joseph A. Norton: The Judge
Jacob T. Morehead: Claude / Riger
Camilla Susser: The Thief / Slave / Georgette
Todd Simmonds: Executioner / Arthur
Irish Jones: The Filly / Slave
Bartlett Meeks: Old Man / The Beggar
Jadelynn Stahl: Follies Girl / Carmen
Kelley Wade /Amelia Mauro: Chantel
Todd Black: Andrew / Envoy / First Photographer
Matthew Korda: Luke / Envoy / Second Photographer
Susan Perry: Ensemble
Hart DeRose: Ensemble
Brian Freeland: Ensemble

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MANSON | family valUes

MANSON | family valUeS. Photo: Eric Weber (2003)

MANSON | family valUeS (2003). Photo: Eric Weber.

MANSON | family valUes
by Robin Davies & Brian Freeland as devised with The LIDA Project*

MANSON | family valUeS is based on the lives of Charles Manson and his followers during the events leading up to and following the ritual murders of actress Sharon Tate and six others during the summer of 1969. Created in the unique style of The LIDA Project, MANSON | family valUeS offers a bizarre and wickedly eerie look into ‘the Family’ that changed our definition of evil forever and spawned America’s first pop-culture media villain. Built from actual events and transcripts.

“MANSON | family valUeS” embodies the spirit of all that live theater should. It is bold, difficult and occasionally jaw-dropping.”
– John Moore,
The Denver Post

Production History
February 14 – March 22, 2003: BINDERY | space :: Denver, CO
April 18 – May 8, 2006: Camden People’s Theatre :: London, UK
May 30 – 31, 2006: The Bug Theatre:: Denver, CO
June 2,3, 9, & 10, 2006: The Vortex:: Austin, TX
June 7 – 8, 2006: Seven Stages:: Atlanta. GA

Awards
Best Theater Ensemble Work – Best of Westword, 2003

The Company
Direction: Robin Davies / Brian Freeland
Technical Director: James McElwee
Scenic Design: Jason Humphrey
Lighting Design: Anna R. Kaltenbach
Sound Design: Tyler Potts
Costume Design: Gina Penka
Video Design: Scott Kinnamon

Ensemble (2003)
Tamara Bradley, Jeannene Bragg, Jon Brown, Lindsay Gegenberg, Sarah Gibson, Jennifer Harris, Josh Hartwell, Elgin Kelley, Bartlett Meeks, Joseph A. Norton, Brandy Qualls, Jadelynn Stahl, Camilla Susser, & Guy Williams

Ensemble (2006)
Stacey Rae Allen, Nissa Almquist,Renee Morrison, Sophie Nimmannit, Julie Rada, Jadelynn Stahl, & Guy Williams

Images

* Development collaborators: Tamara Bradley, Jeannene Bragg, Jon Brown, Sarah Gibson,‎ Anita Harkess, Jennifer Harris, Josh Hartwell, Anna R. Kaltenbach, Elgin Kelley, Joseph A. Norton, Brandy Qualls, Jadelynn Stahl, & Guy Williams

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Hedwig and the Angry Inch

Brian L. Upton as Hedwig in Hedwig and the Angry Inch (2002). Photo: James Bevins

Brian L. Upton as Hedwig in Hedwig and the Angry Inch (2002). Photo: James Bevins

Hedwig and the Angry Inch
Book by John Cameron Mitchell / Music & Lyrics by Stephen Trask

Hedwig and the Angry Inch is the story of a sad and lonely East German girly-boy turned rock diva. In this truly unique theatrical evening the audience follows Hedwig, as her halfhearted angry-inched sex change frees her from communist East Berlin and into the spotlight headlining for her gender-bent band The Angry Inch. Looking and sounding like a cross between Ziggy Stardust and Farah Fawcett, this glam rock diva takes no prisoners in a show Rolling Stone declares “The first rock musical that truly rocks.”

“My sex change operation got botched; my guardian angel fell asleep on the watch; now all I got is a Barbie doll crotch; I’ve got an angry inch!”

Production History
October 4 – November 16, 2002 : The Wave :: Denver, CO
November 22, 2002 – March 22, 2003 :The Climax Lounge :: Denver, CO

Awards
Best Rock Concert of 2002 – The Denver Post
Ovation Award Nomination – Best Musical – The Denver Post
Ovation Award Nomination – Best Actor in a Musical, Brian Upton – The Denver Post
Best Production of 2002 – The Rocky Mountain News

The Company
Direction: Chris Tabb
Musical Direction: Colin Bricker
Producers: Brian Freeland, Jen Giannini, Melanie Mayner
Production Manager: Melanie Mayner
Stage Management: Bucy
Asst. Stage Management: Jen Paulson
Lighting Design: Robin Miranda
Production Design: Brook Nichols
Projection Design: Brian Freeland
Costume Design: Gina Penka
Crew: Ginny Crawford / Joaquin Leibert

Ensemble
Brian L. Upton: Hedwig
Sara Mykin Casperson: Yitzak

The Angry Inch
Colin Bricker
Kit Peltzel
Marty Pullam
John Rasmussen

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The Skriker

Mare Trevathan as The Skriker (2002). Photo by Brian Freeland

Mare Trevathan as The Skriker (2002). Photo by Brian Freeland.


The Skriker

by Caryl Churchill

Production History
August 30 – September 28, 2002: BINDERY | space :: Denver, CO

Awards
Best Experimental Theatre Production Out Front
Best Actor in an Experimental Role (Mare Trevathan) – Out Front
Ovation Award Nomination – Best Actress (Mare Trevathan) – The Denver Post
Best Actress in a Drama (Mare Trevathan) – Westword

The Company
Direction: Ian Tresselt
Stage Mangement: Anna Makman
Dramaturg: Jennifer French
Movement / Choreography: Robin Davies
Scenic Design: David Castellano
Costume Design: David Castellano
Mask Design: Kay Casperson / Robin Davies
Lighting Design: Jacob M. Welch
Sound Design:  Brian Freeland / Ian Tresselt
Producer: Brian Freeland

Ensemble (alphabetical order)
Green Lady / Jennie Greenteeth: Tamara Bradley
Woman with Kelpie / Hag / Grand Daughter: Kay Casperson
Josie: Emily Paton Davies
Nellie Longarms / Springgan: Robin Davies
Rawheadandbloodybones / Dark Fairy / Bogle: Valter Foschini
Girl with Telescope / Lost Girl / Great Great Grand Daughter: Anita Harkess
Black Annis / Dead Child: Misha Johnson
Lily: Megan Meek
Kelpie / Fair Fairy: Joseph A. Norton
Skriker: Mare Trevathan
Johnny Squarefoot / Brownie: Kevin Schreiber
Understudy for Lily: Kelley Wade
Man with Cloth and Bucket: Ken Witt

Family Stories: Belgrade

Family Stories: Belgrade (2002) . Photo by Jacob M. Welch.

Family Stories: Belgrade (2002) . Photo by Jacob M. Welch.

Family Stories: Belgrade
by Biljana Srbljanovic (translated by Rebecca Ann Rugg)

Set in the desolate projects of 1998 Belgrade, Family Stories: Belgrade portrays a child’s surreal war-time game of “house”. In the wasteland of a country devastated by an unfinished war, four children expose the violence of a society and ultimately a family at war.

Production History
May 17 – June 29, 2002 : BINDERY | space :: Denver, CO

Awards
Best Supporting Actor (Chris Tabb), Denver Post Ovation Award Nomination
Best Productions of 2002 list, The Rocky Mountain News

The Company
Direction: Brian Freeland
Assistant Direction: Nya Watkins / Cristofer Lix
Lighting Design: Jacob M. Welch
Scenic Design: The LIDA Project
Sound Design: Paul Cure
Fight Choreography: Dane Torbenson
Producers: Jeannene Bragg / Melanie Mayner

Ensemble (alphabetical order)
Vojin: Robin Davies
Andrija: Chris Tabb
Nadezda: Mare Trevathan
Milena: Kelley Wade

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