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MANSON | family valUes

MANSON | family valUeS. Photo: Eric Weber (2003)

MANSON | family valUeS (2003). Photo: Eric Weber.

MANSON | family valUes
by Robin Davies & Brian Freeland as devised with The LIDA Project*

MANSON | family valUeS is based on the lives of Charles Manson and his followers during the events leading up to and following the ritual murders of actress Sharon Tate and six others during the summer of 1969. Created in the unique style of The LIDA Project, MANSON | family valUeS offers a bizarre and wickedly eerie look into ‘the Family’ that changed our definition of evil forever and spawned America’s first pop-culture media villain. Built from actual events and transcripts.

“MANSON | family valUeS” embodies the spirit of all that live theater should. It is bold, difficult and occasionally jaw-dropping.”
– John Moore,
The Denver Post

Production History
February 14 – March 22, 2003: BINDERY | space :: Denver, CO
April 18 – May 8, 2006: Camden People’s Theatre :: London, UK
May 30 – 31, 2006: The Bug Theatre:: Denver, CO
June 2,3, 9, & 10, 2006: The Vortex:: Austin, TX
June 7 – 8, 2006: Seven Stages:: Atlanta. GA

Awards
Best Theater Ensemble Work – Best of Westword, 2003

The Company
Direction: Robin Davies / Brian Freeland
Technical Director: James McElwee
Scenic Design: Jason Humphrey
Lighting Design: Anna R. Kaltenbach
Sound Design: Tyler Potts
Costume Design: Gina Penka
Video Design: Scott Kinnamon

Ensemble (2003)
Tamara Bradley, Jeannene Bragg, Jon Brown, Lindsay Gegenberg, Sarah Gibson, Jennifer Harris, Josh Hartwell, Elgin Kelley, Bartlett Meeks, Joseph A. Norton, Brandy Qualls, Jadelynn Stahl, Camilla Susser, & Guy Williams

Ensemble (2006)
Stacey Rae Allen, Nissa Almquist,Renee Morrison, Sophie Nimmannit, Julie Rada, Jadelynn Stahl, & Guy Williams

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* Development collaborators: Tamara Bradley, Jeannene Bragg, Jon Brown, Sarah Gibson,‎ Anita Harkess, Jennifer Harris, Josh Hartwell, Anna R. Kaltenbach, Elgin Kelley, Joseph A. Norton, Brandy Qualls, Jadelynn Stahl, & Guy Williams

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Hedwig and the Angry Inch

Brian L. Upton as Hedwig in Hedwig and the Angry Inch (2002). Photo: James Bevins

Brian L. Upton as Hedwig in Hedwig and the Angry Inch (2002). Photo: James Bevins

Hedwig and the Angry Inch
Book by John Cameron Mitchell / Music & Lyrics by Stephen Trask

Hedwig and the Angry Inch is the story of a sad and lonely East German girly-boy turned rock diva. In this truly unique theatrical evening the audience follows Hedwig, as her halfhearted angry-inched sex change frees her from communist East Berlin and into the spotlight headlining for her gender-bent band The Angry Inch. Looking and sounding like a cross between Ziggy Stardust and Farah Fawcett, this glam rock diva takes no prisoners in a show Rolling Stone declares “The first rock musical that truly rocks.”

“My sex change operation got botched; my guardian angel fell asleep on the watch; now all I got is a Barbie doll crotch; I’ve got an angry inch!”

Production History
October 4 – November 16, 2002 : The Wave :: Denver, CO
November 22, 2002 – March 22, 2003 :The Climax Lounge :: Denver, CO

Awards
Best Rock Concert of 2002 – The Denver Post
Ovation Award Nomination – Best Musical – The Denver Post
Ovation Award Nomination – Best Actor in a Musical, Brian Upton – The Denver Post
Best Production of 2002 – The Rocky Mountain News

The Company
Direction: Chris Tabb
Musical Direction: Colin Bricker
Producers: Brian Freeland, Jen Giannini, Melanie Mayner
Production Manager: Melanie Mayner
Stage Management: Bucy
Asst. Stage Management: Jen Paulson
Lighting Design: Robin Miranda
Production Design: Brook Nichols
Projection Design: Brian Freeland
Costume Design: Gina Penka
Crew: Ginny Crawford / Joaquin Leibert

Ensemble
Brian L. Upton: Hedwig
Sara Mykin Casperson: Yitzak

The Angry Inch
Colin Bricker
Kit Peltzel
Marty Pullam
John Rasmussen

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The Skriker

Mare Trevathan as The Skriker (2002). Photo by Brian Freeland

Mare Trevathan as The Skriker (2002). Photo by Brian Freeland.


The Skriker

by Caryl Churchill

Production History
August 30 – September 28, 2002: BINDERY | space :: Denver, CO

Awards
Best Experimental Theatre Production Out Front
Best Actor in an Experimental Role (Mare Trevathan) – Out Front
Ovation Award Nomination – Best Actress (Mare Trevathan) – The Denver Post
Best Actress in a Drama (Mare Trevathan) – Westword

The Company
Direction: Ian Tresselt
Stage Mangement: Anna Makman
Dramaturg: Jennifer French
Movement / Choreography: Robin Davies
Scenic Design: David Castellano
Costume Design: David Castellano
Mask Design: Kay Casperson / Robin Davies
Lighting Design: Jacob M. Welch
Sound Design:  Brian Freeland / Ian Tresselt
Producer: Brian Freeland

Ensemble (alphabetical order)
Green Lady / Jennie Greenteeth: Tamara Bradley
Woman with Kelpie / Hag / Grand Daughter: Kay Casperson
Josie: Emily Paton Davies
Nellie Longarms / Springgan: Robin Davies
Rawheadandbloodybones / Dark Fairy / Bogle: Valter Foschini
Girl with Telescope / Lost Girl / Great Great Grand Daughter: Anita Harkess
Black Annis / Dead Child: Misha Johnson
Lily: Megan Meek
Kelpie / Fair Fairy: Joseph A. Norton
Skriker: Mare Trevathan
Johnny Squarefoot / Brownie: Kevin Schreiber
Understudy for Lily: Kelley Wade
Man with Cloth and Bucket: Ken Witt

Family Stories: Belgrade

Family Stories: Belgrade (2002) . Photo by Jacob M. Welch.

Family Stories: Belgrade (2002) . Photo by Jacob M. Welch.

Family Stories: Belgrade
by Biljana Srbljanovic (translated by Rebecca Ann Rugg)

Set in the desolate projects of 1998 Belgrade, Family Stories: Belgrade portrays a child’s surreal war-time game of “house”. In the wasteland of a country devastated by an unfinished war, four children expose the violence of a society and ultimately a family at war.

Production History
May 17 – June 29, 2002 : BINDERY | space :: Denver, CO

Awards
Best Supporting Actor (Chris Tabb), Denver Post Ovation Award Nomination
Best Productions of 2002 list, The Rocky Mountain News

The Company
Direction: Brian Freeland
Assistant Direction: Nya Watkins / Cristofer Lix
Lighting Design: Jacob M. Welch
Scenic Design: The LIDA Project
Sound Design: Paul Cure
Fight Choreography: Dane Torbenson
Producers: Jeannene Bragg / Melanie Mayner

Ensemble (alphabetical order)
Vojin: Robin Davies
Andrija: Chris Tabb
Nadezda: Mare Trevathan
Milena: Kelley Wade

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Alice 2.0

Kelley Wade in Alice (2001). Photo: Eric Weber

Kelley Wade (2001). Photo: Eric Weber

Alice 2.0
a devised work of The LIDA Project *
Concept, writing & script assemblage by Tami Canaday and Brian Freeland

Production History
August 9 – 13, 2002: Milagro Theatre :: New York City, NY
August 29, 2002: Denver Center for the Performing Arts :: Denver, CO

The Company
Direction: Brian Freeland
Concept, writing & script assemblage: Tami Canaday / Brian Freeland
Contributing Writer: Jeannene Bragg
Sound Design: Aaron Reardon
Costume Design: Tamara Bradley / Gina Penka

Ensemble
Jeannene Bragg
Robin Davies
Dane Torbenson
Brandy Qualls
Kelley Wade

*Alice 2.0 is a reimagined work based on The LIDA Project’s 2001 production of Alice. Original Alice development collaborators: Anne Angel, Todd Black, Jeannene Bragg, Tami Canaday, Robin Davies, Brian Freeland, Marie Gibbons, Nils Kiehn, Jim O’Leary, Tom Puckett, Brandy Qualls, Aaron Reardon, David Riley, Kelley Wade, Carrie Wyatt, & kryssi wyckoff martin

 

Brother Mine

Brother Mine
by Eric C. Dente

Brother Mine is the compelling story of a young African-American man struggling to find his own cultural identity in a world of conflicting ideals.  Malcolm, adopted and raised by a loving Caucasian family, deals with pressure from his natural father to reject his upbringing and embrace his own heritage.  In the midst of this struggle he faces the possibility that his pregnant girlfriend may choose to terminate his progeny, while his drug addicted brother threatens to destroy the only family he has ever known.  As Malcolm strives to hold his world together, he finds himself walking the thin line between separatism and racism. Brother Mine explores the strength of family in our uncertain and often divisive society, and ultimately celebrates parenthood and humanity.

Production History
February 2, 2002- March 2, 2002 : BINDERY | space :: Denver, CO

Company
Direction: Chris Tabb
Stage Management: Melissa Palovich
Production Management:  Brian Freeland
Associate Production Management: Melanie Mayner
Lighting Design: Jacob M. Welch
Sound Design: Chris Tabb
Scenic Design: Brian Freeland
Scenic Painter: Paul Sanchez
Publicity: Melanie Mayner

Ensemble
David Pinckney: Malcolm
David C. Riley: Anthony
Chris Hampton: Young Malcolm
Laurence A. Curry: Darrell
Vanessa Lunnon: Searrie
Frederick D. Katona: Ben
Jennifer Robbins: Kyrssi
Justin Thompson: Eddie
Kurt Soderstrom: Kenneth
Margaret Amateis Casart: Sarah
Kw Brock Johnson: Raymond

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Our Town

Our Town (2001). Photo: Eric Weber

Sara Casperson & Brian E. Lewis in Our Town (2001). Photo: Eric Weber

Our Town
by Thornton Wilder

Production History
September 14 – October 20, 2001: BINDERY | space :: Denver, CO

The Company
Direction: Brian Freeland
Assistant Direction: kryssi wyckoff martin
Stage Management: Brandy Qualls
Movement / Choreography: Robin Davies
Scenic Design: Brian Freeland
Lighting Design: Brian Billings
Sound Design: Jeremiah Lyman Moore
Costume Design: Carrie Wyatt
Publicity: Melanie Mayner

Ensemble
David C. Riley: Stage Manager
Dane Torbenson: Dr. Gibbs
Nancy Flanagan: Mrs. Gibbs
Brian E. Lewis: George Gibbs
Alexandra Trow: Rebecca Gibbs
Brian Thompson: Mr. Webb
Karen Kargel: Mrs. Webb
Chandler Gibbons: Wally Webb
Sara Casperson: Emily Webb
Dan Mundell:Professor Willard
Kelley Wade: Mrs. Soames
Robin Davies: Constable Warren
Chris Hampton: Si Crowell/Joe Crowell, Jr.
James Christian Villarreal: Howie Newsome
Dell Domnik: Simon Stimson
Thomas O’Connor: Joe Stoddard
Cristofer Lix: Sam Craig
Josh Hicks: Baseball Player
Tamara Bradley: Chorus
Tami Canaday: Chorus
Haley Gibbons: Chorus
Carrie Wyatt: Chorus

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