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¡el Simio! or a contemporary retelling of Eugene O’Neill’s ‘The Hairy Ape’

Lorenzo Sariñana in The Hairy Ape (2013). Photo: Kenrick Fischer

Lorenzo Sariñana in The Hairy Ape (2013). Photo: Kenrick Fischer

¡el Simio! (or a contemporary retelling of Eugene O’Neill’s The Hairy Ape)
by Eugene O’Neill with translations by Lorenzo Sariñana

A story of a simple laborer trapped in a world controlled by the rich. This classic expressionist work is re-imagined as a one-man / hyper-media performance. This new bi-lingual translation and interpretation brings to the front the issues of immigration, class structure, and industrialism. First produced in 1922, the LIDA Project modernizes O’Neill’s text to address the modern themes of alienation in a stratified world.

Production History
May 1-3, 2015: HERE Arts Center :: New York City, NY
May 10 – June 7, 2013: work | space :: Denver, CO

Awards
Best Actor in a Drama (Lorenzo Sariñana), True West Award Nomination
Best Multimedia Integration (Brian Freeland), True West Award Nomination

Media Coverage
The LIDA Project takes on barriers of class and language in O’Neill’s The Hairy Ape – Westword
My night at The Hairy Ape – Culture West

The Company (2015 Production)
Direction: Brian Freeland
Producers: Steven J. Deidel & Annette Westerby
Stage Manager / Show Control: G. Austin Allen
Scenic Design: Sky Burks
Lighting Design: 
Anshuman Bhatia & Steven J. Deidel
Sound Design: 
Alex Hawthorn & Drew Levy
Projection Design: Steven J. Deidel & Brian Freeland
Costume Design: Annette Westerby

Ensemble (2015 Production)
Yank: Lorenzo Sariñana
O’Neill: Sonia Justl

The Company (2013 Production)
Direction: Brian Freeland
Assistant Direction: Laura Lounge
Scenic Design: David Lafont
Lighting Design: Kenrick Fischer
Sound Design: Dustin Lacy
Projection Design: Brian Freeland
Property & Costume Design: Laura Lounge

Ensemble (2013 Production)
Yank: Lorenzo Sariñana
O’Neill: Hart DeRose

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Justin Bieber Meets Al Qaeda

Justin Bieber Meets Al Qaeda (2011)

Justin Bieber Meets Al Qaeda (2011)

Justin Bieber Meets Al Qaeda
a devised work of The LIDA Project*

This original LIDA collaborative work inspired by Max Fritch’s The Firebugs and Albert Camus’s The Just, focuses on American pop culture and attitudes a decade after the Al Qaeda attacks on the United States. An irreverent, bombastic, and controversial examination of American politics and culture post 9-11.

Production History
September 9 – October 8, 2011: work | space :: Denver, CO

Awards
Best Multimedia Integration (Steven J. Deidel) -Denver Post Ovation Award
Best Lighting (Steven J. Deidel) – Denver Post Ovation Award Nomination
Best Sound (Kenny Storms & Max Peterson)– Denver Post Ovation Award Nomination

Media Coverage
Art from the ashes: A decade later, great art inspired by 9/11 is rare
Photo call: Opening night for new LIDA Project
The Terror, the Terror!
The Denver Post Fall Arts Preview

The Company
Producers: Brian Freeland, Steven J. Deidel & The LIDA Project
Direction: Brian Freeland
Dramaturgy: Rebecca Gorman O’Neill
Lighting / Projection Design: Steven J. Deidel
Sound Design: Max Peterson & Kenny Storms
Costume Design: Annette Westerby
Associate Lighting Design: Anna R. Kaltenbach
Associate Lighting Design / Lighting Programmer: G. Austin Allen
Projection Associate / Content Creation: Ryan Gaddis
Pixel Twister: Joe Deats
Camera Operators / Video Technicians: Tommy Sheridan & Alex Polzin
LIVE Sand Artist: Amelia Charter

Ensemble
Patrick Balai: Homeland Security / George W. Bush
Robin Davies: White
Hart DeRose: Anna Lucia
Dan O’Neill: Osama Bin Ladin
Safa Samiezade-Yazd: The Chorus
Matthew Schultz: Sadam Hussain / Bieber
Ryan Wuestewald: Wilson

Video

Images

* Development collaborators: Robin Davies, Hart DeRose, Brian Freeland, & Matthew Schultz. Additional collaboration from Steven J. Deidel, Rebecca Gorman O’Neill, Dan O’Neill, & Kenny Storms

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HOT + WAX: On Being Too Big To Fail (a piece in 8 bits)

Kenny Storms in HOT + WAX: On Being Too Big To Fail (a piece in 8 bits) (2010)

 

HOT + WAX: On Being Too Big To Fail (a piece in 8 bits)
conceived and directed by Julie Rada as devised with The LIDA Project*

A live performance blend of the Icarus story from Greek mythology, the 2009 economic crisis and 1980’s 8-bit video games. Princess Toadstool figures prominently, as does the boy whose wings melted in the sun. Joe Knossos, the head of the troubled financial products division, dodges the Minotaur as meat falls from the sky. The piece is highly-interactive with opportunities for witnesses to play old-school video games and manipulate the direction of the story.

HOT+WAX = flying too close to the sun.
HOT+WAX = getting all the coins.
HOT+WAX = finance porno.
HOT+WAX = 8 bits vs. naughty bits.

Production History
September 24 – October 23, 2010: BINDERY | space :: Denver, CO

Media Coverage
Icarus climbs corporate ladder in LIDA’s video game allegory – The Denver Post

The Company
Direction: Julie Rada
Scenic Design: Erin Ramsey
Lighting Design: Jacob M. Welch
Sound / Video Design: Ryan McRyhew
Music Composition: Ryan McRyhew / Neil Ewing
Costume Design: Annette Westerby
Properties Design: Annette Westerby
Choreography: Kelleen Shadow

Ensemble
Ploughman: Terry Burnsed
Mr. Joseph C. Knossos: Todd Webster
Daedalus: Leroy Leonard
Uncle Sam: Mike Marlow
Cellist: Eizabeth A. Nodich
Pasiphae / Your Mom: Elizabeth Parks
Icarus: Lorenzo Sariñana
Princess: Kelleen Shadow
Bull / Minotaur: Kenny Storms

Video

Images

* Development collaborators: Leroy Leonard, Elizabeth Parks, Julie Rada, Lorenzo Sariñana, Matthew Schultz, Kelleen Shadow, Kenny Storms, & Annette Westerby

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Mouse In A Jar

Trina Magness (Ma) in Martyna Majok's Mouse in a Jar. (2010)

Trina Magness (Ma) in Martyna Majok’s Mouse in a Jar. (2010)

Mouse in a Jar
by Martyna Majok

We see a mother on a leash. We see the bruises. We smell the meat burn. We hear a crash, a thrash. We know the Man in Boots is coming. We know the daughter is out there. We know there is something scrounging in the shadows.Mouse in a Jar is a horror story packed full of oddities and underground life forms. This is Stockholm Syndrome. This is the impossible grace of bondage. This is subterranean punk; acts of desperation required.

Production History
April 23 – May 29, 2010 : BINDERY | space :: Denver, CO

Awards
Best Actress in a Drama (Trina Magness), Westword
Actress in a Dramatic Role (Trina Magness) – Denver Post Ovation Award
Supporting Actress in a Dramatic Role (Kelleen Shadow) – Denver Post Ovation Award Nomination
Scenic Design (Nick Kargel) – Denver Post Ovation Award Nomination
Lighting Design (Steven J. Diedel) – Denver Post Ovation Award Nomination
Sound Design (Brian Freeland) – Denver Post Ovation Award Nomination

Media Coverage
Horror captured like a mouse in a jar, The Denver Post
LIDA presents, Mouse In A Jar, The Metropolitan
‘Mouse in a Jar’ is not horror but it’s certainly scary, The Examiner

The Company
Direction: Julie Rada
Asst. Direction: Lanie Reel
Scenic Design: Nicholas Kargel
Lighting / Projection Design: Steven J. Deidel
Associate Lighting Design: Anna R. Kaltenbach / Dan O’Neill
Video Foley Artist: Dan O’Neill
Sound Design: Brian Freeland
Costume Design: Annette Westerby
Properties Design: Julie Rada
Production Run Crew: Ryan Gaddis / Jules DuMond / Kenny Storms

Ensemble
Zosia: Janna Meiring
Daga: Kelleen Shadow
Ma: Trina Magness
Boy: Lorenzo Sariñana

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joseph k.

Dan O'Neill (Joeseph K.) & Josh Hartwell (Kafka) in joesph k. Photo: Erin Preston (2009).

Dan O’Neill (Joseph K.) & Josh Hartwell (Kafka) in joseph k. Photo: Erin Preston (2009).


joseph k.
an original work by Martin McGovern

Based on the writings of Franz Kafka, joseph k. is a journey through the beauty and paranoia of one of the greatest literary minds in Western literature.

Production History
May 22 – June 20, 2009 : BINDERY | space :: Denver, CO

Awards
Best New Work (Martin McGovern) – Denver Post Ovation Award
Best Scenic Design (Brian Freeland) – Denver Post Ovation Award
Best Director of a Play (Brian Freeland) – Denver Post Ovation Award Nomination

Media Coverage
Review – The Denver Post
CULTURAMA: LIDA’s ‘joseph k’ throws gloomy shadows
Review – Colorado Drama

The Company
Direction: Brian Freeland
Assistant Director: Melanie Owen
Costume Design: Julie Rada / Annette Westerby
Lighting Design: Steven J. Deidel / Anna Kaltenbach
Master Electrician: Anshuman Bhatia
Projection Design: Steven J. Deidel
Scenic Design: Brian Freeland
Sound Design: Brian Freeland

Ensemble
Dan O’Neill: Joseph K
Josh Hartwell: Kafka
Brandon Kruhm: Franz
Doron Burks: Willem / Bloch
Lorenzo Sariñana: Investigator / Magistrate / Titorelli
Petra Ulrych: Frau Grubach
Elgin Kelley: Fraulein Burstner / Leni / Fraulein Montag / Urchin Girl
Julie Rada: Felice / Wife / Urchin Girl
Ken Witt: Huld
Mike Marlow: The Whipper / Ensemble
Elizabeth Parks: Ensemble

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