15 February – 2 March 2013
Part text. Part noise. Part sound. Part image. All Robot.
R.U.R./lol, an original work loosely based on the 1920 Czech science-fiction play Rossum’s Universal Robots. At the end of humanity four robots remain. Through their controllers they work to protect what remains of the planet from a catastrophic event. The process leads them to question how we came to this end.
Direction by Lorenzo Sariñana
Production Design by Steven J. Deidel
Ensemble: Rhea Amos / Hart DeRose / Laura Lounge / Heidi Pachner
Controllers: Kenrick Fisher / Brian Freeland / Dustin Lacy / David Lafont / Tommy Sheridan
14 September – 6 October 2012
An original interpretation by The LIDA Project inspired by the work of Elmer Rice’s 1924 drama, The Adding Machine.
* Add It Up is a remix of the 1924 Elmer Rice play The Adding Machine as interpreted by six sound, video, and performance artists from The LIDA Project.
It is sound. It is light. It is music. It is words. It is images. It is machines. It is humans. It is about love. And hate. And murder. And death. And rebirth. And dancing. And eggs.
Hart DeRose: Zero
Michelle Hurtubise: Elmer Rice
Heidi Pachner: The Boss
Lorenzo Sariñana: Daisy
Matthew Schultz: Mrs. Zero
Steven J. Deidel
Steven J. Deidel / The LIDA Project
Lorenzo Sariñana / The LIDA Project
Hart Derose / The LIDA Project
Brian Freeland / The LIDA Project
11 May – 2 June 2012
An original adaptation of the book by Elias Canetti by Rebecca Gorman O’Neill. Directed by Brian Freeland.
A twisted creation developed by The LIDA Project ensemble, playwright Rebecca Gorman, and director Brian Freeland. Manipulations of darkness and light and juxtapositions of ghastly imagery help to re-imagine Canetti’s breakthrough 1935 work about a lone recluse and his infinite library of books.
“A warning against the idea that ‘rigid, dissociated intellectualism and detached, dogmatic scholarship can prevail over evil, chaos, and destruction‘.” – Lisa Hill
September 9 – October 8, 2011
Devised by The LIDA Project
This original LIDA collaborative work inspired by Max Fritch’s The Firebugs and Albert Camus’s The Just, focuses on American pop culture and attitudes a decade after the Al Qaeda attacks on the United States. This theatrical editorial promises to be one of the most irreverent, bombastic, and controversial examinations of American politics and culture to hit Denver audiences in years.
April 23 – May 29, 2010
An original work by Martyna Majok
We see a mother on a leash. We see the bruises. We smell the meat burn. We hear a crash, a thrash. We know the Man in Boots is coming. We know the daughter is out there. We know there is something scrounging in the shadows.Mouse in a Jar is a horror story packed full of oddities and underground life forms. This is Stockholm Syndrome. This is the impossible grace of bondage. This is subterranean punk; acts of desperation required.
Awards / Recognition
Best Actress in a Drama (Trina Magness), Westword
Actress in a Dramatic Role (Trina Magness) – Denver Post Ovation Award
Supporting Actress in a Dramatic Role (Kelleen Shadow) – Denver Post Ovation Award Nomination
Scenic Design (Nick Kargel) – Denver Post Ovation Award Nomination
Lighting Design (Steven J. Diedel) – Denver Post Ovation Award Nomination
Sound Design (Brian Freeland) – Denver Post Ovation Award Nomination
Lighting / Projection Design
Steven J. Deidel
Assistant Stage Direction
Associate Lighting Design
Anna R. Kaltenbach / Dan O’Neill
Video Foley Artist
Production Run Crew
Ryan Gaddis / Jules DuMond / Kenny Storms
Ensemble (Order of Appearance)